Showing posts with label Cynthia Rylant. Show all posts
Showing posts with label Cynthia Rylant. Show all posts

Monday, January 18, 2010

I Had Seen Castles and A Day No Pigs Would Die

Sometimes when members of my family have appointments and lessons and shopping in the city an hour away, some of us spend some time waiting, and the place we do that is in a bookstore. This past weekend I spent enough time waiting in a bookstore to read two short YA novels, one after the other.

The first one, I Had Seen Castles by Cynthia Rylant, takes a very modern point of view on WWII. The hero, John Dante, says of himself and the young men like him "it was war I was too young for, war we were all too young for, and the reality of that is what we could not find at our dinner table. I can see us now, as we were, and I can see the fog around us. We cannot see any horror for ourselves, for Tony, for Frank, for the mailman, or for the grocer. We deceive ourselves into believing we can clean up the enemy, put him back in his place, and have our chicken parmigiana another night. Soon. A quick war and, intact, we all sit down again to eat."

John Dante has his own version of a trip into hell by fighting on the front lines, in the trenches. There he loses his youthful ardency and sees that his anachronistically peacenik girlfriend, Ginny, has been right all along. At the end of the book he says he still loves her, but he has never seen her again after the day he went off to fight. Guess he could only admit she was right to himself.

The story is a simplified prose version of Wilfred Owen's WWI poem, Dulce Et Decorum Est, in which the similes work to give you a sense of the horror:

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.

GAS! Gas! Quick, boys!-- An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.--
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

The beginning similes, in particular, work like the story Rylant tells. Rather than dashing young heroes, the soldiers look like beggars, and they cough like old women.

The second short book I read was A Day No Pigs Would Die. I sat on a wooden chair in the corner of Half-Price Books and read the whole story of the boy learning how to be a man from a father whose philosophy and way of life he thought unassailable.

The story is told in a dry, matter of fact way that makes giving the flavor of it by quoting short bits difficult. The writing has its own pace; you're led into the story in a hurry, and then you have a few minutes to look around before you have to emerge, unavoidably sadder, at the end.

I do like the occasional observations about the father. He "wasn't one to smile every year" but could occasionally carry out a good joke. And he was a man of few words: "Never miss a chance," Papa had once said, "to keep your mouth shut." So I think I'll take his advice. This is a lovely little book, a classic of children's literature, and I recommend it to you if you haven't read it.

Monday, November 24, 2008

The Ordinary

It felt like the middle of the night when my radio clicked on at 6:20 am, and it's a gray November morning. I'm hoping for something out of the ordinary today, but can't think what that could be. Then I remembered this poem, about admiring the ordinary. That might have to do, today.

God Went to Beauty School, by Cynthia Rylant

He went there to learn how
to give a good perm
and ended up just crazy
about nails
so He opened up His own shop.
"Nails by Jim" He called it.
He was afraid to call it
Nails by God.
He was sure people would
think He was being
disrespectful and using
His own name in vain
and nobody would tip.
He got into nails, of course,
because He'd always loved
hands--
hands were some of the best things
He'd ever done
and this way He could just
hold one in His
and admire those delicate
bones just above the knuckles,
delicate as birds' wings,
and after He'd done that
awhile,
He could paint all the nails
any color He wanted,
then say,
"Beautiful,"
and mean it.

Last week I finished the audiobook of Bull's Island, by Dorothea Benton Frank. She writes romance novels about women from the Charleston, SC area, and I always read (or hear) them, and I'm always amazed at how much time her characters spend in beauty salons, not because I think it's a waste of time, particularly, but because her characters judge other women who are not devoted to salon rituals so harshly. There's nothing that makes a beauty salon seem more inviting than the scene in Legally Blonde where she gets her nails done so she can talk about what's bothering her with a sympathetic woman, and there's nothing that makes a salon seem less inviting than reading about the scornful attitude of the manicured crowd. The picture of God painting fingernails and holding hands restores the rosy color of the image, for me.