Showing posts with label Alexander McCall Smith. Show all posts
Showing posts with label Alexander McCall Smith. Show all posts
Monday, March 28, 2011
Fun Reading
It's spring break for the kids' school, and we celebrated Walker's birthday on Saturday at a chess tournament, so now a bunch of deadlines have been met and all we have to do is catch up on our sleep and play with the new toys.
Because there were so many deadlines in the last week or two, my reading time was spent on amusement. I read the next few Kage Baker novels about the Company. The parts about what we're like in the future from Sky Coyote were good satiric touches, I thought, and I loved the philosophizing about the meaning of time for immortals in Mendoza in Hollywood. My favorite so far is The Graveyard Game, where much of the overarching plot of the story is played out, with scenes like one in which two immortals appear to get drunk on hot chocolate in a public place and the discovery of what really happened to that ninth Roman legion.
Then I topped off the reading week by finding Alexander McCall Smith's new Mma Ramotswe novel, The Saturday Big Tent Wedding Party, on the seven-day-loan shelf at the library, which meant I had to read it right away. I was quite in the mood for the slow pace and simple plot, with asides like:
"So might we fail to see the real sadness that lies behind the acts of others; so might we look at one of our fellow men going about his business and not know of the sorrow that he is feeling, the effort that he is making, the things that he has lost."
Mma Makutsi gets married to Phuti Radiphuti in a pair of really good shoes in this one, so it was entirely satisfactory.
Now we have a bookshelf to put together--to hold all the chess books Walker got for his birthday--a schedule of movies to watch, an excursion to see a musical called Spring Awakening, and pet-sitting duties for the kids. We also have some bags of books that Eleanor found at a used book store to fill out some of her list of books she wants her own copies of to take off to college, so I see some bookshelf arranging in our immediate future. She already had her own copies of the Lord of the Rings, the Narnia books, the Harry Potter books, and the Borribles. Now she also has the first three Hitchhiker's Guide to the Galaxy books, The Thief Lord, Life of Pi, The Golden Compass, The Moon is a Harsh Mistress, A Wrinkle in Time, Summerland, Ender's Game, Feed, Hatchet, Nine Princes in Amber, and the Earthsea books. It's interesting for us to see which books she thinks she can't live without. It's kind of like seeing which of the many books people have thrown at her over the years made an impression, which ones "took."
Because there were so many deadlines in the last week or two, my reading time was spent on amusement. I read the next few Kage Baker novels about the Company. The parts about what we're like in the future from Sky Coyote were good satiric touches, I thought, and I loved the philosophizing about the meaning of time for immortals in Mendoza in Hollywood. My favorite so far is The Graveyard Game, where much of the overarching plot of the story is played out, with scenes like one in which two immortals appear to get drunk on hot chocolate in a public place and the discovery of what really happened to that ninth Roman legion.
Then I topped off the reading week by finding Alexander McCall Smith's new Mma Ramotswe novel, The Saturday Big Tent Wedding Party, on the seven-day-loan shelf at the library, which meant I had to read it right away. I was quite in the mood for the slow pace and simple plot, with asides like:
"So might we fail to see the real sadness that lies behind the acts of others; so might we look at one of our fellow men going about his business and not know of the sorrow that he is feeling, the effort that he is making, the things that he has lost."
Mma Makutsi gets married to Phuti Radiphuti in a pair of really good shoes in this one, so it was entirely satisfactory.
Now we have a bookshelf to put together--to hold all the chess books Walker got for his birthday--a schedule of movies to watch, an excursion to see a musical called Spring Awakening, and pet-sitting duties for the kids. We also have some bags of books that Eleanor found at a used book store to fill out some of her list of books she wants her own copies of to take off to college, so I see some bookshelf arranging in our immediate future. She already had her own copies of the Lord of the Rings, the Narnia books, the Harry Potter books, and the Borribles. Now she also has the first three Hitchhiker's Guide to the Galaxy books, The Thief Lord, Life of Pi, The Golden Compass, The Moon is a Harsh Mistress, A Wrinkle in Time, Summerland, Ender's Game, Feed, Hatchet, Nine Princes in Amber, and the Earthsea books. It's interesting for us to see which books she thinks she can't live without. It's kind of like seeing which of the many books people have thrown at her over the years made an impression, which ones "took."
Labels:
Alexander McCall Smith,
Kage Baker
Thursday, July 9, 2009
Tea Time For The Traditionally Built
Tea Time for the Traditionally Built, by Alexander McCall Smith, was a birthday present from my family, so I read it while lounging in the wading pool on what turned out to be a rather cool but extravagantly sunny day, and it was quite a pleasant way to read about the heat and dust of Botswana. In this latest volume (previously reviewed: Morality for Beautiful Girls and The Miracle at Speedy Motors), Mma Ramotswe's "tiny white van" can no longer be repaired and the ever-thoughtful Mr. J.L.B. Matekoni replaces it with a medium-sized blue one. I've puzzled over how a van can be tiny since I began reading these books; I got a slightly better idea in France, where even vans are made very narrow.
As usual, once I relaxed into the slow pace of the writing, the charms of the way Mma Ramotswe thinks about even the smallest of tasks become apparent. She gets up early one morning and enjoys "the brief private time before the others would get up and start making demands of her. There would be breakfast to prepare, children's clothes to find, husband's clothes to find too; there would be a hundred things to do." But she resolves to take the advice of the person who told her that "our concern should be what is happening right now. 'There is plenty of work for love to do'....Yes, one should not worry too much." I think a mother of teenagers might want to reread that section every night before going to bed.
There are always incidental pleasures in reading about Mma Ramotswe's daily rounds. I loved her description of Sherlock Holmes: "He was a very famous detective....Over that way....He lived in London. He is late now."
We find out the name of the younger apprentice in this book, and even get to see where he lives. Mma Ramotswe finds that he understands how she feels about the loss of the tiny white van, and realizes "how easy it is to misjudge the young, to imagine that they share none of the more complex emotions that shape our lives as we grow older."
My favorite scene in this book centers around the extended description of Mma Ramotswe's premonition that something bad will happen to Mr. J.L.B. Matekoni on a day trip he is taking. Like my father's premonitions always are, hers is wrong, and when she sees him getting out of his truck at the end of the day "she stopped her van where it was, some yards short of its normal place at the side of the house, and she got out and ran to him, the lights of the van still burning." The even-more-often-than-usual references to the way she is "traditionally built" throughout this book make the scene poignant and funny at the same time.
Also Mma Makutsi gets a new pair of shoes in this one. I also got a new pair of shoes as a birthday present, and some "red bush tea" from the cafe at Borders. Have you noticed that they carry it there now?
As usual, once I relaxed into the slow pace of the writing, the charms of the way Mma Ramotswe thinks about even the smallest of tasks become apparent. She gets up early one morning and enjoys "the brief private time before the others would get up and start making demands of her. There would be breakfast to prepare, children's clothes to find, husband's clothes to find too; there would be a hundred things to do." But she resolves to take the advice of the person who told her that "our concern should be what is happening right now. 'There is plenty of work for love to do'....Yes, one should not worry too much." I think a mother of teenagers might want to reread that section every night before going to bed.
There are always incidental pleasures in reading about Mma Ramotswe's daily rounds. I loved her description of Sherlock Holmes: "He was a very famous detective....Over that way....He lived in London. He is late now."
We find out the name of the younger apprentice in this book, and even get to see where he lives. Mma Ramotswe finds that he understands how she feels about the loss of the tiny white van, and realizes "how easy it is to misjudge the young, to imagine that they share none of the more complex emotions that shape our lives as we grow older."
My favorite scene in this book centers around the extended description of Mma Ramotswe's premonition that something bad will happen to Mr. J.L.B. Matekoni on a day trip he is taking. Like my father's premonitions always are, hers is wrong, and when she sees him getting out of his truck at the end of the day "she stopped her van where it was, some yards short of its normal place at the side of the house, and she got out and ran to him, the lights of the van still burning." The even-more-often-than-usual references to the way she is "traditionally built" throughout this book make the scene poignant and funny at the same time.
Also Mma Makutsi gets a new pair of shoes in this one. I also got a new pair of shoes as a birthday present, and some "red bush tea" from the cafe at Borders. Have you noticed that they carry it there now?
Labels:
Alexander McCall Smith,
book review
Wednesday, April 15, 2009
Morality for Beautiful Girls
Because I assigned Alexander McCall Smith's Morality for Beautiful Girls in my "Relationships and Dialogues" class, I developed a new appreciation for this particular novel in the series, which had not stood out to me before. The characters are living their lives as if in answer to Buckaroo Banzai's admonition in a crowded bar: "don't be mean; we don't have to be mean."
Mma Ramotswe ends her friendship with a person who doesn't consider the feelings of her maid because, as she says, "the beginning of all morality" is empathy: "if you knew how a person was feeling, if you could imagine yourself in her position, then surely it would be impossible to inflict further pain. Inflicting pain in such circumstances would be like hurting oneself." Some of my students argued that she should work to "fix" her friend (since she says she's in the business of fixing the lives of people who consult her), but I argued that until the friend consults her, or finds that she cannot live without Mma Ramotswe's friendship, Mma Ramotswe can't change her. Her philosophy is that "people do not change, but that does not mean that they will always remain the same. What you can do is find out the good side of their character and then bring that out." Apparently, though, there's no way to bring out the good side of a friend's character when the friend persists in meanness and doesn't see it as such.
What keeps me interested in Morality for Beautiful Girls is the unexpectedly cutting edge of Mma Ramotswe's empathy. If she imagines herself in the position of someone who is being mean to another, she disengages herself from that person, lest she become an accessory to meanness. How many of us have that kind of courage of conviction?
Mma Ramotswe ends her friendship with a person who doesn't consider the feelings of her maid because, as she says, "the beginning of all morality" is empathy: "if you knew how a person was feeling, if you could imagine yourself in her position, then surely it would be impossible to inflict further pain. Inflicting pain in such circumstances would be like hurting oneself." Some of my students argued that she should work to "fix" her friend (since she says she's in the business of fixing the lives of people who consult her), but I argued that until the friend consults her, or finds that she cannot live without Mma Ramotswe's friendship, Mma Ramotswe can't change her. Her philosophy is that "people do not change, but that does not mean that they will always remain the same. What you can do is find out the good side of their character and then bring that out." Apparently, though, there's no way to bring out the good side of a friend's character when the friend persists in meanness and doesn't see it as such.
What keeps me interested in Morality for Beautiful Girls is the unexpectedly cutting edge of Mma Ramotswe's empathy. If she imagines herself in the position of someone who is being mean to another, she disengages herself from that person, lest she become an accessory to meanness. How many of us have that kind of courage of conviction?
Labels:
Alexander McCall Smith,
book review
Friday, October 3, 2008
Reading To Learn to Love
I have learned to love Alexander McCall Smith's Botswana series, featuring Mma Ramotswe. It took me a while to relax into the first one, entitled The No. 1 Ladies' Detective Agency. At first I found the main character slow in her thinking, and the plot rather thin. But I was not appreciating the simplicity of the plot and the dignity of the character, which grew on me until by the end, I was enjoying it on its own terms.
Over the last few years, I have enjoyed Tears of the Giraffe, Morality for Beautiful Girls, The Kalahari Typing School for Men, The Full Cupboard of Life, In the Company of Cheerful Ladies, Blue Shoes and Happiness, and The Good Husband of Zebra Drive in much the same way, as an occasional oasis in a desert of disagreeable characters and complicated plots. Once I tried one of the Isabel Dalhousie books by the same author, but I found it vaguely pretentious and mightily boring.
So when I found the newest Botswana novel, The Miracle at Speedy Motors, at the library, I wasn't expecting much more than an hour or two reading about life at a slower pace. I did get that (in fact, I saved the book for before-bedtime reading), but I was surprised to find that I like this book as much as I grew to like the first one. It is the crowning glory of the series, so far, and my only qualm about recommending it is that you really need to have read the previous novels in order to enjoy the many charms of this one fully.
When I began reading The No. 1 Ladies Detective Agency, I was the mother of a ten-year-old and an seven-year-old. Now I'm mothering a fifteen-year-old and a twelve-year-old; the interval has done nothing but increase my patience, and my understanding of passages like this one:
'There were many dangers in this world, and the longer one journeyed through life the more one understood how varied these dangers were. That, thought Mma Ramotswe, was why one worried more and more about others: one could imagine the manifold disasters that might befall them."
Also, merely by taking me out of my own country, reading this novel enlarges my perspective, until I'm thinking like the main character, who
"put out of her mind the things that had been worrying her. For out here, out in the acacia scrub that stretched away to those tiny island-like hills on the horizon, the concerns of the working world seemed of little weight. Yes, one had to earn a living; yes, one had to work with people who might have their little ways; yes, the world was not always as one might want it to be: but all of that seemed so small and unimportant under this sky."
Like it took me a while to relax into the pace of the first Botswana novel, it took me a long while to learn how to live with the pace of a small town. People would wave at me, driving around town, and I never waved back because I didn't look into the cars to see who was inside. Now I do. I've learned the charms of going to the drive-up pharmacy and having the clerk hand me a refill for my son that's already charged to my account, all without having to ask my name. I moved away from the town where I grew up and was glad of it, because I could make my own way without being known merely for family connections, but now I can see the comfort Precious Ramotswe takes when people speak to her of her dead ("late") father: "that people should still speak of him; that touched her. One did not have to be famous to be remembered in Botswana; there was room in history for all of us." And even on the second day of the John Freshwater inquiry downtown at the County Service Building, where I went this morning to attach a photo to one of our passport applications, I find it mostly reassuring to live in a town so small that people who are on opposite sides of an issue still have to find ways to get along. It's like Mma Ramotswe's conversation with a bank guard: "Here in Botswana if anybody came to rob the bank you'd probably know exactly who they were. You could simply threaten to tell their mothers. That would put a stop to any bank robbery."
In the end, I think I'm not alone in longing to be more like Mma Ramotswe, a woman who can understand and forgive almost anything. Her assistant, a mere mortal like you or me, realizes from watching her that "evil repaid with kindness was shown to be what it really was, a small, petty thing, not something frightening at all, but something pitiable, a paltry affair." And it's a relief to see through Mma Ramotswe's eyes, because she sees hope for everyone. But she's not a simple-minded moralist. You can laugh with her about why her assistant's father-in-law is demanding the seemingly outrageous dowry of ninety-seven cows!
Over the last few years, I have enjoyed Tears of the Giraffe, Morality for Beautiful Girls, The Kalahari Typing School for Men, The Full Cupboard of Life, In the Company of Cheerful Ladies, Blue Shoes and Happiness, and The Good Husband of Zebra Drive in much the same way, as an occasional oasis in a desert of disagreeable characters and complicated plots. Once I tried one of the Isabel Dalhousie books by the same author, but I found it vaguely pretentious and mightily boring.
So when I found the newest Botswana novel, The Miracle at Speedy Motors, at the library, I wasn't expecting much more than an hour or two reading about life at a slower pace. I did get that (in fact, I saved the book for before-bedtime reading), but I was surprised to find that I like this book as much as I grew to like the first one. It is the crowning glory of the series, so far, and my only qualm about recommending it is that you really need to have read the previous novels in order to enjoy the many charms of this one fully.
When I began reading The No. 1 Ladies Detective Agency, I was the mother of a ten-year-old and an seven-year-old. Now I'm mothering a fifteen-year-old and a twelve-year-old; the interval has done nothing but increase my patience, and my understanding of passages like this one:
'There were many dangers in this world, and the longer one journeyed through life the more one understood how varied these dangers were. That, thought Mma Ramotswe, was why one worried more and more about others: one could imagine the manifold disasters that might befall them."
Also, merely by taking me out of my own country, reading this novel enlarges my perspective, until I'm thinking like the main character, who
"put out of her mind the things that had been worrying her. For out here, out in the acacia scrub that stretched away to those tiny island-like hills on the horizon, the concerns of the working world seemed of little weight. Yes, one had to earn a living; yes, one had to work with people who might have their little ways; yes, the world was not always as one might want it to be: but all of that seemed so small and unimportant under this sky."
Like it took me a while to relax into the pace of the first Botswana novel, it took me a long while to learn how to live with the pace of a small town. People would wave at me, driving around town, and I never waved back because I didn't look into the cars to see who was inside. Now I do. I've learned the charms of going to the drive-up pharmacy and having the clerk hand me a refill for my son that's already charged to my account, all without having to ask my name. I moved away from the town where I grew up and was glad of it, because I could make my own way without being known merely for family connections, but now I can see the comfort Precious Ramotswe takes when people speak to her of her dead ("late") father: "that people should still speak of him; that touched her. One did not have to be famous to be remembered in Botswana; there was room in history for all of us." And even on the second day of the John Freshwater inquiry downtown at the County Service Building, where I went this morning to attach a photo to one of our passport applications, I find it mostly reassuring to live in a town so small that people who are on opposite sides of an issue still have to find ways to get along. It's like Mma Ramotswe's conversation with a bank guard: "Here in Botswana if anybody came to rob the bank you'd probably know exactly who they were. You could simply threaten to tell their mothers. That would put a stop to any bank robbery."
In the end, I think I'm not alone in longing to be more like Mma Ramotswe, a woman who can understand and forgive almost anything. Her assistant, a mere mortal like you or me, realizes from watching her that "evil repaid with kindness was shown to be what it really was, a small, petty thing, not something frightening at all, but something pitiable, a paltry affair." And it's a relief to see through Mma Ramotswe's eyes, because she sees hope for everyone. But she's not a simple-minded moralist. You can laugh with her about why her assistant's father-in-law is demanding the seemingly outrageous dowry of ninety-seven cows!
Labels:
Alexander McCall Smith
Sunday, August 17, 2008
Seeing the World Differently
Walker found a new YA book at the library and recommended it to me; The London Eye Mystery, by Siobhan Dowd. It's like Mark Haddon's The Curious Incident of the Dog in the Night-Time in that it's told by a narrator who has autism, or something like it. As the narrator, Ted, describes it:
"'It's like the brain is a computer,' I said. 'But mine works on a different operating system from other people's. And my wiring's different too....It means I am very good at thinking about facts and how things work and the doctors say I am at the high-functioning end of the spectrum....My syndrome means I am good at remembering big things, like important facts about the weather. But I'm always forgetting small things, like my school gym bag.'"
What's fun about this book is that Ted solves the mystery of his cousin's disappearance (from the London Eye, hence the title). What I liked about the book is that no one condescends to Ted. They do ignore him sometimes, but he's 12. When you're 12, people don't always stop to listen to you in a crisis, no matter what kind of brain you have.
Reading this book, I was reminded of the pleasure of reading Alexander McCall Smith's Botswana books, starting with The No. 1 Ladies' Detective Agency, because Ted's thoughts are so calm and collected, as Mma Ramotswe's often are. Here's a sample:
"Something terrible happened during those fifty-four minutes [as he waits to see if his cousin is dead]. No amount of making up shipping forecasts could stop me from thinking about it. Death. I realized it was real. I would die one day. Kat would die. Mum would die. Dad would die. Aunt Gloria would die. Mr Shepherd at school would die. Every living thing on this planet would die. It was not a question of if but when. Of course, I'd known about death before. But during those fifty-four minutes I really knew it. That's when I realized that there are two kinds of knowledge: shallow and deep. You can know something in theory but not know it in practice. You can know part of something but not all of it. Knowledge can be like the skin on the surface of the water in a pond, or it can go all the way down to the mud. It can be the tiny tip of the iceberg or the whole hundred per cent.
I thought of the long chain of all the days of my life and wondered how far along that chain I'd already got. Was I still just starting, halfway along, or nearing the end? If it was Salim on the cold slab, did he know when he got up this morning that he'd reaching the last link on the chain?"
This book is a quick, calming, and satisfying read, and at 323 pages, it won't take you too long.
"'It's like the brain is a computer,' I said. 'But mine works on a different operating system from other people's. And my wiring's different too....It means I am very good at thinking about facts and how things work and the doctors say I am at the high-functioning end of the spectrum....My syndrome means I am good at remembering big things, like important facts about the weather. But I'm always forgetting small things, like my school gym bag.'"
What's fun about this book is that Ted solves the mystery of his cousin's disappearance (from the London Eye, hence the title). What I liked about the book is that no one condescends to Ted. They do ignore him sometimes, but he's 12. When you're 12, people don't always stop to listen to you in a crisis, no matter what kind of brain you have.
Reading this book, I was reminded of the pleasure of reading Alexander McCall Smith's Botswana books, starting with The No. 1 Ladies' Detective Agency, because Ted's thoughts are so calm and collected, as Mma Ramotswe's often are. Here's a sample:
"Something terrible happened during those fifty-four minutes [as he waits to see if his cousin is dead]. No amount of making up shipping forecasts could stop me from thinking about it. Death. I realized it was real. I would die one day. Kat would die. Mum would die. Dad would die. Aunt Gloria would die. Mr Shepherd at school would die. Every living thing on this planet would die. It was not a question of if but when. Of course, I'd known about death before. But during those fifty-four minutes I really knew it. That's when I realized that there are two kinds of knowledge: shallow and deep. You can know something in theory but not know it in practice. You can know part of something but not all of it. Knowledge can be like the skin on the surface of the water in a pond, or it can go all the way down to the mud. It can be the tiny tip of the iceberg or the whole hundred per cent.
I thought of the long chain of all the days of my life and wondered how far along that chain I'd already got. Was I still just starting, halfway along, or nearing the end? If it was Salim on the cold slab, did he know when he got up this morning that he'd reaching the last link on the chain?"
This book is a quick, calming, and satisfying read, and at 323 pages, it won't take you too long.
Labels:
Alexander McCall Smith,
Mark Haddon,
Siobhan Dowd
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