Showing posts with label Debora Greger. Show all posts
Showing posts with label Debora Greger. Show all posts
Wednesday, October 14, 2009
Eve in the Fall
Monday night I needed my extra-insulated parka to be able to sit outside and watch a soccer game. It didn't seem fair that I was being dive-bombed by mosquitoes when it was that cold. Finally, when we could no longer see the players, the game was called on account of dark.
Tuesday I drove for two hours on 2-lane highways rimmed by trees glorious with the sun shining on fluttering red, orange, yellow, and green leaves, interspersed with fields full of dried corn stalks or covered with dusty purple and yellow blooms.
This morning it is cloudy; we had to get up in the dark. There are fallen leaves scattered across the driveway. In the words of Hopkins, it is the start of "goldengrove unleaving." The dim light makes me understand something about this poem by Debora Greger, entitled Eve in the Fall:
Summer torn down, petal by petal.
Had the father of storms spent himself at last?
An avalanche of stony silence fell.
And then my eyelids fluttered open
as they had that first morning
I saw you beside me, strangest of creatures,
the one most like me. But this time you were old.
When I looked closer, I saw myself
in your eyes, a fallen leaf starting to curl.
I heard a rustling, insistent,
a tree trying to shake off the past
or a river feeling its way past a wall
toward some vast body of tears
it hadn't known existed. Down the street,
trucks trundled their dark goods
into eternity, one red light after another.
Though it was morning,
street lamps trudged down the sidewalk
like husbands yawning on the way to work.
On puddles, on rags of cloud,
they spilled their weak, human light.
With shadow my cup overflowed.
It is becoming the season of shadows. I'll bet FreshHell will agree with me that the description of winter coming as "a river feeling its way past a wall/toward some vast body of tears" pretty much sums up the way we feel after the first frost. My father used to relish the crispness, rubbing his hands together and intoning "the frost is on the pumpkin." I hate to come outside and see the impatiens have turned to brown slime overnight. It makes me sad to haul the pots in, sad to see my Mother's Day begonia turn slowly from red to brown outside the window.
I get the feeling of deep winter's endlessness in this image: "trucks trundled their dark goods/into eternity, one red light after another." Right now, to twist Shelley's words, spring feels unreachably "far behind."
Tuesday I drove for two hours on 2-lane highways rimmed by trees glorious with the sun shining on fluttering red, orange, yellow, and green leaves, interspersed with fields full of dried corn stalks or covered with dusty purple and yellow blooms.
This morning it is cloudy; we had to get up in the dark. There are fallen leaves scattered across the driveway. In the words of Hopkins, it is the start of "goldengrove unleaving." The dim light makes me understand something about this poem by Debora Greger, entitled Eve in the Fall:
Summer torn down, petal by petal.
Had the father of storms spent himself at last?
An avalanche of stony silence fell.
And then my eyelids fluttered open
as they had that first morning
I saw you beside me, strangest of creatures,
the one most like me. But this time you were old.
When I looked closer, I saw myself
in your eyes, a fallen leaf starting to curl.
I heard a rustling, insistent,
a tree trying to shake off the past
or a river feeling its way past a wall
toward some vast body of tears
it hadn't known existed. Down the street,
trucks trundled their dark goods
into eternity, one red light after another.
Though it was morning,
street lamps trudged down the sidewalk
like husbands yawning on the way to work.
On puddles, on rags of cloud,
they spilled their weak, human light.
With shadow my cup overflowed.
It is becoming the season of shadows. I'll bet FreshHell will agree with me that the description of winter coming as "a river feeling its way past a wall/toward some vast body of tears" pretty much sums up the way we feel after the first frost. My father used to relish the crispness, rubbing his hands together and intoning "the frost is on the pumpkin." I hate to come outside and see the impatiens have turned to brown slime overnight. It makes me sad to haul the pots in, sad to see my Mother's Day begonia turn slowly from red to brown outside the window.
I get the feeling of deep winter's endlessness in this image: "trucks trundled their dark goods/into eternity, one red light after another." Right now, to twist Shelley's words, spring feels unreachably "far behind."
Labels:
Debora Greger,
Gerard Manley Hopkins,
Percy Shelley
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