Showing posts with label Charles Dodgson. Show all posts
Showing posts with label Charles Dodgson. Show all posts
Tuesday, June 2, 2009
Twelve Impossible Things Before Breakfast
I love it when one story gets tangled up with another. When our children were small, Ron liked to ask them what would happen when Dumbo met Colonel Hathi, or point out that the voice of Winnie the Pooh is the same as the voice of Kaa. (Actually, he did make some non-Jungle Book comparisons, but those are the ones we all remember best.)
So when I went to the library and found Jane Yolen's short story collection entitled Twelve Impossible Things Before Breakfast, I had to check it out. I mean, really! Twelve? Of course, that's the number of stories. But it does seem like a challenge to the Red Queen's boast:
"Alice laughed: "There's no use trying," she said; "one can't believe impossible things."
"I daresay you haven't had much practice," said the Queen. "When I was younger, I always did it for half an hour a day. Why, sometimes I've believed as many as six impossible things before breakfast." Alice's Adventures in Wonderland
(Update: perusing Yolen's journal led me to discover a book blog called Seven Impossible Things.)
I have to agree with Walker, who also read this one, that the best story is "Wilding." It's about the new Central Park sport of the future, in which people can turn into animals for a little fun because "wilding is a pure New York sport." Evidently, some things never change, because there is still danger in Central Park, even though Wilding is legal and there are safeguards. The most fun one is the existence of "Maxes" who are there to "control the Wild Things....It's an old story."
Our second favorite is "Lost Girls," in which a girl goes to Neverland and fosters a rebellion among the Wendys, who are stuck cleaning up the table and dishes after every food-fighting feast in which the Lost Boys indulge. That one reminds me of the Emily Dickinson poem:
Tell all the truth, but tell it slant--
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind--
The whole idea of retelling the story from a new "Wendy's" point of view makes me think of "telling it slant," of course, but the idea of the dazzling truth is in the story too, especially the part Walker and I both remembered best and commented on to each other, when Peter looks at the new Wendy, who is insisting that her name is Darla, and "there was nothing nice or laughing or young about his eyes. They were dark and cold and very very old." Yes, and the pirates turn out to be more authentically egalitarian in this version of the story, too.
My other favorite is a vampire story, but unlike any other I've ever read, entitled Mama Gone. It's a brief story, but emotionally effective, and before reading it I would have said that was impossible.
It wasn't one of my favorites, but there's also a version of The Three Billy Goats Gruff in this collection too, told by the bridge. Do you like it when stories are related to each other?
So when I went to the library and found Jane Yolen's short story collection entitled Twelve Impossible Things Before Breakfast, I had to check it out. I mean, really! Twelve? Of course, that's the number of stories. But it does seem like a challenge to the Red Queen's boast:
"Alice laughed: "There's no use trying," she said; "one can't believe impossible things."
"I daresay you haven't had much practice," said the Queen. "When I was younger, I always did it for half an hour a day. Why, sometimes I've believed as many as six impossible things before breakfast." Alice's Adventures in Wonderland
(Update: perusing Yolen's journal led me to discover a book blog called Seven Impossible Things.)
I have to agree with Walker, who also read this one, that the best story is "Wilding." It's about the new Central Park sport of the future, in which people can turn into animals for a little fun because "wilding is a pure New York sport." Evidently, some things never change, because there is still danger in Central Park, even though Wilding is legal and there are safeguards. The most fun one is the existence of "Maxes" who are there to "control the Wild Things....It's an old story."
Our second favorite is "Lost Girls," in which a girl goes to Neverland and fosters a rebellion among the Wendys, who are stuck cleaning up the table and dishes after every food-fighting feast in which the Lost Boys indulge. That one reminds me of the Emily Dickinson poem:
Tell all the truth, but tell it slant--
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind--
The whole idea of retelling the story from a new "Wendy's" point of view makes me think of "telling it slant," of course, but the idea of the dazzling truth is in the story too, especially the part Walker and I both remembered best and commented on to each other, when Peter looks at the new Wendy, who is insisting that her name is Darla, and "there was nothing nice or laughing or young about his eyes. They were dark and cold and very very old." Yes, and the pirates turn out to be more authentically egalitarian in this version of the story, too.
My other favorite is a vampire story, but unlike any other I've ever read, entitled Mama Gone. It's a brief story, but emotionally effective, and before reading it I would have said that was impossible.
It wasn't one of my favorites, but there's also a version of The Three Billy Goats Gruff in this collection too, told by the bridge. Do you like it when stories are related to each other?
Labels:
book review,
Charles Dodgson,
Emily Dickinson,
Jane Yolen
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