Friday, May 6, 2011
Trivial Pursuit for Book-Lovers
Children's: What type of bird showed Mary Lennox where the rusty key to The Secret Garden was buried?
Classics: What novel sees ambulance driver Lt. Frederick Henry escaping execution by jumping into the Tagliamento River?
Non-Fiction: What 20th-century trustbuster got the royal treatment in Edmund Morris' Theodore Rex?
Book Club: What Texas town did Woodrow Call and Augustus McCrae meet up in, before starting a cattle drive to Montana?
Authors: Who had already penned Player Piano by the time he became one of Saab's first U.S. dealers?
Book Bag: What comic included the classic stand-up routine "A Place for My Stuff" in his collection of cerebral scat called Braindroppings?
Classics: What novel sees ambulance driver Lt. Frederick Henry escaping execution by jumping into the Tagliamento River?
Non-Fiction: What 20th-century trustbuster got the royal treatment in Edmund Morris' Theodore Rex?
Book Club: What Texas town did Woodrow Call and Augustus McCrae meet up in, before starting a cattle drive to Montana?
Authors: Who had already penned Player Piano by the time he became one of Saab's first U.S. dealers?
Book Bag: What comic included the classic stand-up routine "A Place for My Stuff" in his collection of cerebral scat called Braindroppings?
Wednesday, May 4, 2011
Starship
Have I been catching up on my reading? A little. But what I've been doing more of is catching up on my video watching. We're still on the first season of Veronica Mars, the second or third season of Big Bang Theory, we just got the new season of South Park, and then yesterday my kids sat me down and we watched the new Starkid video on YouTube, Starship.
Have you heard of the Starkids? Originally musical theater students at the University of Michigan, they wrote a musical parody version of Harry Potter which is still on YouTube as A Very Potter Musical. Then they veered off into territory I found less delightful--maybe just because I'm old and stodgy--with Me And My Dick. But they came back with A Very Potter Sequel. And now, with the departure of the guy who wrote a lot of the music and starred as Harry Potter--Darren Criss--to the TV show Glee, the rest of the Starkids have formed a company and perform in Chicago, although they always put their entire production on YouTube and have now made a DVD, too, available on the Starkids website.
I thought the Starship parody was delightful, from first to last. You have to watch it in 9-10 minute segments, which actually kind of heightens the humor. I thought the high point was the love song in Act II, scene ii, "You don't know you the way I do." But there's a good villain song and lots of good jokes, not least about the way the "Galactic League of Extraterrestrial Exploration, the G.L.E.E." is "always making twisted abominations of everything" (wink). The bugs on the alien planet are represented by puppets, reminiscent of the way the actors use puppets and animal heads in The Lion King and Avenue Q.
This is inventive parody, good music, and it's free. What more could you ask? Watch it, and spread the word!
Have you heard of the Starkids? Originally musical theater students at the University of Michigan, they wrote a musical parody version of Harry Potter which is still on YouTube as A Very Potter Musical. Then they veered off into territory I found less delightful--maybe just because I'm old and stodgy--with Me And My Dick. But they came back with A Very Potter Sequel. And now, with the departure of the guy who wrote a lot of the music and starred as Harry Potter--Darren Criss--to the TV show Glee, the rest of the Starkids have formed a company and perform in Chicago, although they always put their entire production on YouTube and have now made a DVD, too, available on the Starkids website.
I thought the Starship parody was delightful, from first to last. You have to watch it in 9-10 minute segments, which actually kind of heightens the humor. I thought the high point was the love song in Act II, scene ii, "You don't know you the way I do." But there's a good villain song and lots of good jokes, not least about the way the "Galactic League of Extraterrestrial Exploration, the G.L.E.E." is "always making twisted abominations of everything" (wink). The bugs on the alien planet are represented by puppets, reminiscent of the way the actors use puppets and animal heads in The Lion King and Avenue Q.
This is inventive parody, good music, and it's free. What more could you ask? Watch it, and spread the word!
Tuesday, May 3, 2011
What She Said
I learned a lot, working with high-school-age people for a month and a half, and remembered some of what it was like, being 15 or 16. That's probably why when I read the new volume of poetry by Billy Collins--Horoscopes For the Dead--this poem stuck out, for me:
What She Said
When he told me he expected me to pay for dinner,
I was like give me a break.
I was not the exact equivalent of give me a break.
I was just similar to give me a break.
As I said, I was like give me a break.
I would love to tell you
how I was able to resemble give me a break
without actually being identical to give me a break,
but all I can say is that I sensed
a similarity between me and give me a break.
And that was close enough
at that point in the evening
even if it meant I would fall short
of standing up from the table and screaming
give me a break,
for God's sake will you please give me a break?!
No, for that moment
with the rain streaking the restaurant windows
and the waiter approaching,
I felt the most I could be was like
to a certain degree
give me a break.
This poem's speaker and I are, you know, like, aging! And this is the kind of thinking that can go on inside an aging person's head when she hears a fragment from a 15-year-old girl's conversation. It's not useful. It's certainly no more pretty than the original phrase. And yet it circles around and around in there.
One of the things I notice about the difference between people who age gracefully and are still interesting to talk to, and people who become curmudgeonly and boring is that the first type stay open to new experiences and ways of saying things. They sometimes listen to music they know they might not like, and they occasionally read books that aren't exactly suited to their tastes. They continue to grow intellectually. I want to, like, know what younger people are saying, if only to make fun of it, in the manner of this poem. What about you?
What She Said
When he told me he expected me to pay for dinner,
I was like give me a break.
I was not the exact equivalent of give me a break.
I was just similar to give me a break.
As I said, I was like give me a break.
I would love to tell you
how I was able to resemble give me a break
without actually being identical to give me a break,
but all I can say is that I sensed
a similarity between me and give me a break.
And that was close enough
at that point in the evening
even if it meant I would fall short
of standing up from the table and screaming
give me a break,
for God's sake will you please give me a break?!
No, for that moment
with the rain streaking the restaurant windows
and the waiter approaching,
I felt the most I could be was like
to a certain degree
give me a break.
This poem's speaker and I are, you know, like, aging! And this is the kind of thinking that can go on inside an aging person's head when she hears a fragment from a 15-year-old girl's conversation. It's not useful. It's certainly no more pretty than the original phrase. And yet it circles around and around in there.
One of the things I notice about the difference between people who age gracefully and are still interesting to talk to, and people who become curmudgeonly and boring is that the first type stay open to new experiences and ways of saying things. They sometimes listen to music they know they might not like, and they occasionally read books that aren't exactly suited to their tastes. They continue to grow intellectually. I want to, like, know what younger people are saying, if only to make fun of it, in the manner of this poem. What about you?
Labels:
Billy Collins
Monday, May 2, 2011
Maul
On Saturday night I got a plaque that says "It's kind of fun to do the impossible." That's exactly how it felt to pull off a high school musical in only five and a half weeks of rehearsal.
It went well. Now it's over. I feel like I've been a little mauled by the experience, or maybe that's just because of the title of the YA novel I was reading in very small bits during the last week of rehearsals and performance--Maul, by Tricia Sullivan.
As a novel, I didn't like it. It begins with a scene designed to shock its readers, progresses to a story they don't realize is parallel to the first one for a few chapters, and then starts weaving some details of the story together so readers think there's going to be a satisfying ending for both, and then just...stops. We're told "the game's over now" and that's it. Humph. Not a game I would have let myself get interested in if I'd been able to see that the ending didn't succeed in making sense of the plethora of detail given earlier. Even if you're someone who likes to read the ending first, though, you wouldn't necessarily be able to tell. There's some video-game-world-echoing-the-real-world stuff going on here.
Despite the fact that I don't think it's well structured, there are some parts that are absolutely amazing, many of them in terms of how well they describe adolescent emotion:
'Did you ever feel so much of something that you just couldn't control it? And you've tried shit like going to the basketball game and screaming your head off for hours and you had the orgasm or six or seven and you drank the SuperSize Chocolate Shake from 7-Eleven but in the end you didn't feel as empty as you hoped to feel. Did you ever feel something so strong you thought it was a physical hunger but it couldn't be satisfied that way, it was thicker than physical, it stuffed your axons, it was a pregnant idea begging to be born and it was using you for that shit, but you just didn't know what it LOOKED LIKE or WHO inseminated you or how to get it OUT.
Did you ever feel that? It feels like being slapped upside the head about 20,000 times a day and you'll do anything to escape it but you CAN'T.
Subversive behaviour. What a fucking world. It's like everyone's flowing along and the only ones stopping are the ones who can't hack it, they are the worldly possessions it hurts YOU ARE ALL SO FUCKING DELUDED & HELPLESS and I'm reduced to paying $18.99 for a CD to express this for me because you won't let me do anything REAL until after I've been indoctrinated broken down and seduced into submitting to the same CIVILIZING WILL that's sitting on your face."
Even the little throwaway lines, the random thoughts, are fabulously provocative:
'Then I saw a live picture of myself in one of the TVs. I stuck out my tongue just to be sure. It's a well-known fact that TV is more real than real life so when people say get a life what they really mean is, get on TV. Because either you're watching TV or you're on it, and if you're doing neither it's a little like Schrodinger's cat, neither alive nor dead till observed. So when I saw myself on the video screen I was pretty happy because it meant I was alive."
There's some interesting commentary on gender politics, ending with a logical absurdity about where we could end up if we go on as we have been. This passage is from along that road:
"There they are with their uniforms and their discipline, an abstract and codified representation of all the construction workers who ever whistled at you and there you were, too polite to pee in their toolboxes in retaliation, too polite to challenge them, walking away red-faced because the worst part of it is that you were wondering whether they were really whistling like they'd whistle at Caprice or if they were just being sarcastic and were even now laughing at you with your short skinny legs and flat ass. Besides, you're not supposed to let it get to you. You're supposed to have a sense of humour: they do. See them waving their cocks at each other and farting? You aren't allowed to break the rules of their society which say that you are a cold uptight lesbian bitch if you don't like their hohoho aggressive male ways so just hold your head high from your position of moral superiority and go home and tell your boyfriend (if you have one, which I don't) who if you're lucky will offer to go beat them up knowng you won't take him up on it because you know perfectly well he'd probably get his ass kicked, most of the boys you know are highly ass-kickable because they've been brought up nicely. They were brought up in the luxury of knowing the money power of the military-industrial complex would protect them from the dirt and grime of uneducated testosterone."
There are also wonderful moments in the Maul (Mall), like when the heroine finds a clothing store with items that help her feel what she needs to feel right then in order to survive, and a bookstore where the books become exactly what she needs to read.
Lots of flashes of brilliance, but no final explosion, no settling of the dust so readers can glimpse the new world that has been created. It's the end of the game just when you've figured out a few of the rules.
It went well. Now it's over. I feel like I've been a little mauled by the experience, or maybe that's just because of the title of the YA novel I was reading in very small bits during the last week of rehearsals and performance--Maul, by Tricia Sullivan.
As a novel, I didn't like it. It begins with a scene designed to shock its readers, progresses to a story they don't realize is parallel to the first one for a few chapters, and then starts weaving some details of the story together so readers think there's going to be a satisfying ending for both, and then just...stops. We're told "the game's over now" and that's it. Humph. Not a game I would have let myself get interested in if I'd been able to see that the ending didn't succeed in making sense of the plethora of detail given earlier. Even if you're someone who likes to read the ending first, though, you wouldn't necessarily be able to tell. There's some video-game-world-echoing-the-real-world stuff going on here.
Despite the fact that I don't think it's well structured, there are some parts that are absolutely amazing, many of them in terms of how well they describe adolescent emotion:
'Did you ever feel so much of something that you just couldn't control it? And you've tried shit like going to the basketball game and screaming your head off for hours and you had the orgasm or six or seven and you drank the SuperSize Chocolate Shake from 7-Eleven but in the end you didn't feel as empty as you hoped to feel. Did you ever feel something so strong you thought it was a physical hunger but it couldn't be satisfied that way, it was thicker than physical, it stuffed your axons, it was a pregnant idea begging to be born and it was using you for that shit, but you just didn't know what it LOOKED LIKE or WHO inseminated you or how to get it OUT.
Did you ever feel that? It feels like being slapped upside the head about 20,000 times a day and you'll do anything to escape it but you CAN'T.
Subversive behaviour. What a fucking world. It's like everyone's flowing along and the only ones stopping are the ones who can't hack it, they are the worldly possessions it hurts YOU ARE ALL SO FUCKING DELUDED & HELPLESS and I'm reduced to paying $18.99 for a CD to express this for me because you won't let me do anything REAL until after I've been indoctrinated broken down and seduced into submitting to the same CIVILIZING WILL that's sitting on your face."
Even the little throwaway lines, the random thoughts, are fabulously provocative:
'Then I saw a live picture of myself in one of the TVs. I stuck out my tongue just to be sure. It's a well-known fact that TV is more real than real life so when people say get a life what they really mean is, get on TV. Because either you're watching TV or you're on it, and if you're doing neither it's a little like Schrodinger's cat, neither alive nor dead till observed. So when I saw myself on the video screen I was pretty happy because it meant I was alive."
There's some interesting commentary on gender politics, ending with a logical absurdity about where we could end up if we go on as we have been. This passage is from along that road:
"There they are with their uniforms and their discipline, an abstract and codified representation of all the construction workers who ever whistled at you and there you were, too polite to pee in their toolboxes in retaliation, too polite to challenge them, walking away red-faced because the worst part of it is that you were wondering whether they were really whistling like they'd whistle at Caprice or if they were just being sarcastic and were even now laughing at you with your short skinny legs and flat ass. Besides, you're not supposed to let it get to you. You're supposed to have a sense of humour: they do. See them waving their cocks at each other and farting? You aren't allowed to break the rules of their society which say that you are a cold uptight lesbian bitch if you don't like their hohoho aggressive male ways so just hold your head high from your position of moral superiority and go home and tell your boyfriend (if you have one, which I don't) who if you're lucky will offer to go beat them up knowng you won't take him up on it because you know perfectly well he'd probably get his ass kicked, most of the boys you know are highly ass-kickable because they've been brought up nicely. They were brought up in the luxury of knowing the money power of the military-industrial complex would protect them from the dirt and grime of uneducated testosterone."
There are also wonderful moments in the Maul (Mall), like when the heroine finds a clothing store with items that help her feel what she needs to feel right then in order to survive, and a bookstore where the books become exactly what she needs to read.
Lots of flashes of brilliance, but no final explosion, no settling of the dust so readers can glimpse the new world that has been created. It's the end of the game just when you've figured out a few of the rules.
Labels:
book review,
Tricia Sullivan
Sunday, May 1, 2011
Code of the Lifemaker
Phoenix Pick’s free ebook for May is James P. Hogan’s “Code of the
Lifemaker.”
The Coupon Code for May for the free ebook is 9992144. The coupon will be
effective from May 2 through May 31.
Instructions and download/purchase links at www.PPickings.com (Phoenix
Pick’s catalogue page).
Lifemaker.”
The Coupon Code for May for the free ebook is 9992144. The coupon will be
effective from May 2 through May 31.
Instructions and download/purchase links at www.PPickings.com (Phoenix
Pick’s catalogue page).
Labels:
free ebook for May
Friday, April 29, 2011
Trivial Pursuit for Book-Lovers
Children's: Who are known as the Trenchcoat Twins, in a top-selling book series?
Classics: What Mart Crowley drama finds Harold getting a hustler named "Cowboy" as a birthday gift?
Non-Fiction: What All Things Considered co-host flits around Orville and Wilbur Wright's old haunts, in The Flyers?
Book Club: What Peter Shaffer play sees Antonio Salieri sadly sigh: "I was born with a pair of ears and nothing else"?
Authors: Who left instructions that his poem "Crossing the Bar" be included at the end of all editions of his poetry?
Book Bag: Who observes, in The Call of Cthulhu: "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents"?
Classics: What Mart Crowley drama finds Harold getting a hustler named "Cowboy" as a birthday gift?
Non-Fiction: What All Things Considered co-host flits around Orville and Wilbur Wright's old haunts, in The Flyers?
Book Club: What Peter Shaffer play sees Antonio Salieri sadly sigh: "I was born with a pair of ears and nothing else"?
Authors: Who left instructions that his poem "Crossing the Bar" be included at the end of all editions of his poetry?
Book Bag: Who observes, in The Call of Cthulhu: "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents"?
Wednesday, April 27, 2011
Tigana, the conclusion
Tigana is an interestingly-told story, especially since so much of it has happened before this novel begins. Once I got to the halfway point, I had to go ahead and finish reading it, which is something that happens to me with fantasy less and less as I get older.
The characters all put their hope in the prince of Tigana, Alessan, who is a symbol of his country in exile, since no one in "Lower Corte" except those who were alive when Alessan's father killed Brandin's son in the war can now remember even the name of their former country, Tigana. When Devin looks at Alessan, "he found his avenue to passion again, to the burning inward response to what had happened here--and was still happening. Every hour of every day in the ransacked, broken-down province named Lower Corte."
One bad guy, Alberico, gets badder, killing the messenger who brings him bad news. And the bad news is that the other bad guy, Brandin, who has destroyed Tigana so thoroughly that one day no one will remember its name, has gotten better (through the love of a good woman, Dianora), and has abdicated as ruler of his native land in favor of ruling over his adopted land, the land he has so thoroughly conquered. Brandin is complicated and interesting and you want to like him, but Alberico is just a bully. Alessan's stated goal is to defeat both at the same time, so neither will get the upper hand, but by the end of the novel, it seems a terrible shame and a waste that Brandin can't get past his hatred for his son's killers enough to do something more positive with his power: "He had cut himself off from his home, from all that had anchored him in life, he was here among an alien people he had conquered, asking for their aid, needing their belief in him."
But Alessan's goals are always the ones that seem most important, to the other characters, and to the reader. He is the one who says (he's still in his early twenties, mind) "I am learning so many things so late. In this world, where we find ourselves, we need compassion more than anything, I think, or we are all alone."
So when Alessan triumphs and both Alberico and Brandin fall, I rejoice, except for the very long shadow that the secret about Alessan's father, the King of Tigana, casts over the ending. I hate the character of Scelto, Dianora's loyal servant. I hate him with a fiery and enduring passion, because he is the one who decides not to tell the King's story. I'd like to believe it is to make sure that all feuds are ended, but I think it is simply despair, and therefore unworthy of its place in the ending of such a long and powerful saga.
Tigana is a well-told tale. I found it reliably absorbing every time I picked it up, until I couldn't put it down anymore.
The characters all put their hope in the prince of Tigana, Alessan, who is a symbol of his country in exile, since no one in "Lower Corte" except those who were alive when Alessan's father killed Brandin's son in the war can now remember even the name of their former country, Tigana. When Devin looks at Alessan, "he found his avenue to passion again, to the burning inward response to what had happened here--and was still happening. Every hour of every day in the ransacked, broken-down province named Lower Corte."
One bad guy, Alberico, gets badder, killing the messenger who brings him bad news. And the bad news is that the other bad guy, Brandin, who has destroyed Tigana so thoroughly that one day no one will remember its name, has gotten better (through the love of a good woman, Dianora), and has abdicated as ruler of his native land in favor of ruling over his adopted land, the land he has so thoroughly conquered. Brandin is complicated and interesting and you want to like him, but Alberico is just a bully. Alessan's stated goal is to defeat both at the same time, so neither will get the upper hand, but by the end of the novel, it seems a terrible shame and a waste that Brandin can't get past his hatred for his son's killers enough to do something more positive with his power: "He had cut himself off from his home, from all that had anchored him in life, he was here among an alien people he had conquered, asking for their aid, needing their belief in him."
But Alessan's goals are always the ones that seem most important, to the other characters, and to the reader. He is the one who says (he's still in his early twenties, mind) "I am learning so many things so late. In this world, where we find ourselves, we need compassion more than anything, I think, or we are all alone."
So when Alessan triumphs and both Alberico and Brandin fall, I rejoice, except for the very long shadow that the secret about Alessan's father, the King of Tigana, casts over the ending. I hate the character of Scelto, Dianora's loyal servant. I hate him with a fiery and enduring passion, because he is the one who decides not to tell the King's story. I'd like to believe it is to make sure that all feuds are ended, but I think it is simply despair, and therefore unworthy of its place in the ending of such a long and powerful saga.
Tigana is a well-told tale. I found it reliably absorbing every time I picked it up, until I couldn't put it down anymore.
Labels:
Guy Gavriel Kay
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